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Sydney World Film Festival 2025 – Award Winners Announced

 

Last night marked the close of another buzzing edition of the Sydney World Film Festival, a grassroots celebration of bold, independent cinema from across the globe. Hosted over four evenings at our home base in Sydney, the festival drew a lively and engaged crowd of film lovers and filmmakers, with screenings introduced by long-time industry champion John Samaha.

 

This year’s Official Selection featured 29 hand-picked films—a tight, diverse lineup drawn from more than a thousand submissions. From raw debuts to refined experiments, the program offered a snapshot of independent filmmaking at its most daring and personal.

 

The jury has spoken, and we’re thrilled to announce the 2025 Sydney World Film Festival award winners:

  • Best Narrative Feature Film: Coexistence (Dominican Republic) – José Gómez De Vargas

  • Best Narrative Short Film: A Mother Goes To The Beach (Portugal) – Pedro Hasrouny

  • Best Documentary Short Film: Georgie (United States) – Jennie Butler

  • Best Animated Film: Cymebelle (Australia) – Linn Htut Oo

  • Best Experimental Film: Myth (Australia) – Oliver Whitehouse

  • Best Music Video: Eating Heartache (Australia) – Jason Tran

  • Best Super Short Film: Third Wheel (Switzerland) – Kevin Haefelin

  • Best Australian Film: The Message (Australia) – Tom Spark

 

A huge congrats to all the winners—and to every filmmaker who took part and trusted us with their work.

We also want to thank our community partners, especially Palace Cinemas and Velvet Room, for continuing to support truly independent cinema.

 

Call for Entries – 2026 Now Open

We’re already looking ahead to next year. Submissions for the 2026 Sydney World Film Festival are now open on FilmFreeway:
👉 https://filmfreeway.com/SydneyWorldFilmFestival

See you next year in the dark.

 

About SWFF

The Sydney World Film Festival started in 2015 as an online-only event, quietly building a reputation among filmmakers who didn’t fit the mainstream mold. With no red carpets or celebrity distractions, it was about the work—and the work spoke loud.

In 2018, the festival took root in a physical venue, opening its doors to live audiences while staying true to its underground edge. Since then, SWFF has become an alternative voice in Australia’s film scene—a space for filmmakers with something to say and nothing to prove.

If you like your cinema bold, strange, and uncensored, you’ve come to the right place.

/official selection 2025

Coexistence (Dominican Republic) by José Gómez De Vargas

Third Wheel (Switzerland) by Kevin Haefelin

The Heart of Texas (United States) by Gregory JM Kasunich

Frogs (Turkey) by Vehbi Bozdağ

The Core (Romania) by Robert Obert

A Mother Goes To The Beach (Portugal) by Pedro Hasrouny

You Can't Find Love (United States, United States) by Tom Bessoir

First Night (United States) by Haneol Lee

Latchkey Kids (Norway) by Sindre Mangen Haram

Cymebelle (Australia) by Linn Htut Oo

Ophelia's Got a Gun (Australia) by Nicola Denton

Myth (Australia) by Oliver Whitehouse

Eating Heartache (Australia) by Jason Tran

The Message (Australia) by Tom Spark

Stay Strong and Be Quiet (France) by Anne Loriot

After Dark (Norway) by Iain Forbes

Georgie (United States) by Jennie Butler

The Steak (Canada, Iran) by Kiarash Dadgar

The Cascade (Mexico) by Pablo Delgado Sanchez

Cock (Norway) by Robin Jensen

Fuck-a-Fan (Netherlands) by Muriel d'Ansembourg

Essai 21 (France) by Florian Mauny

Insanely Perfect (Slovakia) by Lukáš Vízner, Miriam Fulmeková

Emperica (Belgium) by Kris De Meester, Ron Chiers (out of competition)

Iris (Canada) by Gabriela de Andrade

Knife, Chocolate (Iran) by Hooshmand Varaei

Tangle (Belgium) by Carla Hoogewijs, Frank Stevens

Hands (Portugal) by Filipe Piteira

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